Subdivisions

One of Rush's most emotionally resonant songs and a definitive anthem for suburban alienation. The opening synthesizer riff — played on Lee's Oberheim — is one of the most instantly recognizable sounds in the Rush catalog. Peart's lyrics paint a vivid, empathetic picture of the conformity and isolation of growing up in suburban sprawl, where those who don't fit in are told to "be cool or be cast out."

The song drew directly from all three members' experiences growing up in the suburbs of Toronto, particularly the Willowdale neighbourhood. Its depiction of teenage outsiders trying to find their identity in a homogeneous landscape struck a deep chord with the band's audience — many of whom were themselves suburban misfits who found refuge in music.

"Subdivisions" became a concert staple and arguably the definitive song of Rush's synth era. Its emotional directness and universal theme gave it a longevity that transcended the specific sonic trends of the early 1980s. It remained in setlists until the very end of the band's career.